mutations 4 & 5

by Dave Phillips

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1.
29:58
2.
29:58

about

sound sources: 
field recordings made in nature reserves, national parks, non-human habitat. mostly insects, frogs and avians, some mammals, mostly tropical or desert climates. all but 2 recordings are slowed down/time-stretched 60 - 98 %, some are reversed. no electronic sound sources used.

thoughts:
slowed down field recordings play with time-space dimensions. related to the size of most of the creatures recorded, this game arises: ‘how would i hear/perceive the world if i were an insect (amphibian, avian etc)?’. time-space plays with relations and perceptions of size, speed, frequency, light, sound etc. imagine being an ant in a forest. or a beetle in a desert. or a fish in the ocean. or you in relation to the universe. and how that sounds. these are starting points. just changing dimensions, suggesting different possible parameters.

perception changes through immersion - being part of something.

distractions and ruptures are to be expected.
- - -
composed dec 2016 - jan 2017

read more here: www.continentcontinent.cc/index.php/continent/article/view/252

physically released in an edition of 40 tapes by nazlo records, moscow, april 2017
order tape here: <nazlorecords@gmail.com>

credits

released April 1, 2017

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Dave Phillips Zurich, Switzerland

dp re/searches & ponders existences & behaviourisms and the greater connectivity. sound as a language, a conscience, a tool of metaphysics, opposing the restriction and reduction of life, activating primordial shared emotions. ritual protest music, sonic activism, therapeutical, cathartic & liberating sound communications. ringing in the era of humanimal. most dimensions are yet to be explored. ... more

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